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Other Countrywide Stations, Wizardry, Heart And The Larger Commercial Stations Are Supporters Rather Than Leaders When It Comes To Selecting The Music They Play.

So Keith Richards has saved 'oldies ' station Angel Radio from going to the wall. Meanwhile, Ronnie Wood is the saviour of Emphatic Radio with his new show that is raking in record listeners. Bob Dylan's on Radio two - what next, Peculiar Al Yankovich's all-hit breakfast show on Radio Lolli? !

Seriously though, it's great that our aged politicians of rock are taking to the airwaves - well, I imagine if your new album's no longer judged worthy of airplay on our traditional stations, why not take over a show, so that You Can play whatever you want?

But I would like to see a bit of a shake-up in the way the music we hear on our traditional stations is selected. I am specifically brooding about Radio 1 here.

Radio 2 is a brilliant station nowadays with an eclectic playlist, whose alteration was masterminded by former controller Lesley Douglas and continues to develop through resourceful programming, excellent documentaries and superb live sessions and shows.

Other national radio stations, Sorcery, Heart and the bigger commercial stations are followers rather than leaders when it comes to choosing the music they play.

Radio 1 however seems to have got caught in a self-obsessive spiral in pretty much the same way as it probably did in the 90s, when its output turned the station into a pirate radio-sounding wind tunnel of incessant and faceless dance music that was nearly unlistenable ( and I say that as fan of the genre, having grown up with house music as my teenage soundtrack ).

Radio 1 has once more become too cool for college and ghettoized, caught in a groove where the playlist is controlled by same-sounding dubstep pop, which barring 1 or 2 exceptions e. G the fantastic Chase & Status and Nero, is back to its mid-nineties low point.

What I think we need are way more representative and varied playlists at radio, where there's a chance for all these genres to shine and share the airwaves. As it stands at Radio 1 - or so I am informed by the number 1 radio pluggers in the bizz - everything needs to be stood up for by a tastemaker or come from a selected scene ( currently dubstep ) to have any chance of airplay support.

Consequently, daytime output is deluged with one universal sound and all the other genres are locked out till a chink in the armour appears wide enough for a band ( or a vocalist or a couple etc ) who have mobilized enough support to wreck through.

For the last two years the talk in the bizz has been about how things are going to shift back toward guitar bands. But to this point, this has not materialised, because labels can't get the support from producers because all they'd like to play is dubstep because they believe that is what the kids need and are listening to.

If they only went out to gigs and festivals as much as I do and saw the range of acts and sorts of music that young 16-24 year olds are very into, then our traditional airwaves would sound significantly different. Youngsters out there love folk, they adore acoustic singer-songwriters, they like reggae, pop, guitar bands, female vocalists, duos, boy bands and girl bands and they like them all the time.

What do you think happens to all the fans of guitar bands or frontman tunesmiths or soul vocalists when that genre of music isn't given nationwide airplay, in periods of mono-sonic doldrums? They do not just cease to exist. They are still out there, but they do not have any exposure to the acts that satisfy their tastes, which is an enormous missed opportunity for radio stations excited to improve their reach.

You'll disagree that that is where 6 Music shines, but I think that all radio stations should have open minds rather than limited focus. BBC's Introducing is a superb and well-executed passage for music, but in this digital age where it could be more easy to make and distribute music, the problem is still exposure.

One ray of light nationally is the wonderful Superb Radio, which is innovatively taking the BBC's Introducing format one step further and featuring music from their amazingtunes.com site. Fans selecting the music effectively, moderated by a bunch of established music industry presenters like the fizzy Gill Mills, with her new music show and Jim Gellately up in Scotland, as well as the Guardian's music man Paul Lester.

Another excellent platform that has emerged is the UK Council's Selector Radio show. Recently designated for a BT Digital Music Award for Best Show and fronted by Goldierocks, the show promotes English music internationally.

The show currently goes out on FM in more than thirty countries worldwide to an audience of more than 3,000,000. Bands such as Dinosaur Pile Up and artist Jamie Woon, whose music has been played on the non-playlist restricted show, have found new audiences in states as far apart as Mexico and Kazakhstan.

Dinosaur Pile Up received so much interest in Mexico City that they ended up going out there and playing to a sell out crowd of more than 3,000 folk in a land they'd never previously been to as reported tagza.com.

10 for 10 Sheet Music Solo Piano Showpieces: Piano Solos $9.99 Titles: Angel Eyes (Jim Brickman) • Blue Rondo—la Turk (Dave Brubeck) • Cantina Band (John Williams) • Everybody Loves Raymond (Main Title) (Rick Marotta and Terry Trotter) • Fascinating Rhythm (George Gershwin and Ira Gershwin) • Kitten on the Keys (Zez Confrey) • Odeon (Tango Brasileiro) (Ernesto Nazareth) • Sex and the City (Main Title Theme) (Douglas J. Cuomo) • Take Five (Dave Brubeck) • The Pink Panther (Henry Mancini).

10 for 10 Sheet Music: Solo Piano Showpieces $9.99 Alfred Music Publishing is the world s largest educational music publisher. Alfred produces educational #44; reference #44; pop #44; and performance materials for teachers #44; students #44; professionals #44; and hobbyists spanning every musical instrument #44; style #44; and difficulty level. Titles: Angel Eyes (Jim Brickman) * Blue Rondo la Turk (Dave Brubeck) * Cantina Band (John Williams) * Everybody Loves Raymond (Main Title) (Rick Marotta and Terry Trotter) * Fascinating Rhythm (George Gershwin and Ira Gershwin) * Kitten on the Keys (Zez Confrey) * Odeon (Tango Brasileiro) (Ernesto Nazareth) * Sex and the City (Main Title Theme) (Douglas J. Cuomo) * Take Five (Dave Brubeck) * The Pink Panther (Henry Mancini).

13th Floor Elevators Fine Art Vintage Concert Handbill From Avalon Ballroom, San Francisco, CA Sep 02, 1966 $970 Fine Art limited edition vintage concert Handbill of 13th Floor Elevators show at Avalon Ballroom, San Francisco, CA Sep 02, 1966. Also featured: The Sir Douglas Quintet, Alton Kelley Designed by: Stanley Mouse All four variations of the handbill were printed before the concert. n n1st printing A is 9 1/2 x 12 1/2 in hot pink with a dot screen background, white border and I.D. Magazine page on the reverse. n n1st printing B is 9 1/2 x 12 1/2 in dark hot pink with a dot screen background, white border and I.D. Magazine page on reverse. n n1st printing C (see FD024-C) is 9 1/2 x 12 1/2 in dark hot pink with a white background and border and blank reverse. n n1st printing D is 8 1/4 x 12 in red ink with no dot screen on coarse, salmon/orange colored paper.